a surface quality that is beautifully translated in this print
to the east of Hull and the old warehouses and industrial works on the banks of the River Hull as it passes through the city
this book is a hymn of thanks to everyone who has ever worked in the NHS
Fine Art Trade Guild approved equipment
conveying the tension and energy of a storm passing over open fields while revealing the subtle dialogue between land and sky
A moor is not a mountain VIII bone a surface quality that isIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive