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Dante Gabriel Rossetti and the Game That Must be Lost A. Christine McCartney we all know how that

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we all know how that turned out

and follow-ups

the eclecticism of her adopted city of New York

which was part of the still larger human drama of the twentieth century—the century of total war

His history of Berlin's architectural successes and failures reads entertainingly like a detective novel

Dante Gabriel Rossetti and the Game That Must be Lost A. Christine McCartney we all know how thatWhy did the work of Dante Gabriel Rossetti come to dominate the cultural geography of England between 1850 and 1910? And why, having attained that kind of eminence, did Rossetti's star decline so precipitously with the advent of Modernism? Finally, what is there about Rossetti's work and its historical aftermath that makes these questions important ones to ask? The cultural and aesthetic problems raised by those questions are the subject of this

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